John Pluecker

Gabriel Martinez

Blaffer Art Museum, University of Houston

January 2018

In Gabriel Martinez’s first solo museum exhibition, a polished veneer and meticulous structuring allow his beautiful objects to pass as Minimalist art––yet a deeper examination reveals biting commentary and sharp sociopolitical analyses of … READ ON

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Héctor Zamora

Museo de Arte Contemporáneo de Monterrey (MARCO)

November 2017

In “Re/Vuelta,” his first retrospective in Mexico, Héctor Zamora presents a selection of twenty-four works, including installations, architectural models, photographs, videos, a live performance, documentation of performances, and sculptures.… READ ON

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“The One and the Many: A Self-Portrait in Seven Parts”

Project Row Houses

May 2015

With a quiet yet undeniable force, this exhibition provides the emotional sense of absence or yearning brought on by migration or displacement. Cuban-born artist Alexandre Arrechea exhibits three photos from his “Architectural Elements” series… READ ON

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“The Progress of Love”

The Menil Collection

January 2013

“The Progress of Love” is a set of three distinct, concurrent exhibitions—held at the Menil Collection in Houston; the Center for Contemporary Arts in Lagos, Nigeria; and the Pulitzer Foundation for the Arts in Saint Louis—that investigate … READ ON

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“It is what it is. Or is it?”

Contemporary Arts Museum Houston

June 2012

Marcel Duchamp famously said that the readymade was “a form of denying the possibility of defining art”; in a similar way, this exhibition denies the possibility of narrowly defining the readymade. Nearly a century after Bicycle Wheel, 1913,… READ ON

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