Sean O’Toole

“You & I”

A4 Arts Foundation

November 2017

Collectivism has been a major force in South African art pretty much since the New Group, a vanguard of white modernist painters, declared themselves, in 1938, “united against junk.” Rather than didactically survey artistic associations and… READ ON

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Cameron Platter

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November 2017

In 2013, South African artist Cameron Platter collaborated with weavers at ELC Art and Craft Center Rorke’s Drift, a storied art hub in rural KwaZulu-Natal province, on wool tapestries. Their abstract forms are based on digital collages the… READ ON

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Dorothy Amenuke

Nubuke Foundation

September 2017

In 2003, artist kąrî'kạchä seid’ou joined the faculty of Kwame Nkrumah University of Science and Technology (KNUST), Ghana’s prestigious art school in Kumasi, and through his “emancipatory art teaching” program, he ushered in the artistic … READ ON

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“Exhibition Histories and Afrofictions”

Michaelis Galleries

August 2017

In his infamous 1984 exhibition “‘Primitivism’ in 20th Century Art: Affinity of the Tribal,” cocurated with Kirk Varnedoe at the Museum of Modern Art, William Rubin argued that the West’s absorption with the cultural objects of Africa and … READ ON

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“Calibrating Wonder”

SMITH Studio

July 2017

In a future history of South African art, Cape Town–based artist Daniella Mooney should receive due credit for her exploratory, left-field sculpture practice, which, since her Terry Riley–quoting BFA show in 2009, has eschewed the dominant … READ ON

PICKS

Kirsten Beets

Salon Ninety One

April 2017

Displayed in a window that faces onto a road trafficked by tourists, Kirsten Beets’s oil-on-paper painting Only the End of the World Again (all works 2017) depicts a tyrannosaurus rex, with its wimpy arms, attacking the sun-kissed Atlantic … READ ON

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Phumzile Khanyile

Photo Workshop Gallery

March 2017

It helps to know that Soweto, South Africa–born photographer Phumzile Khanyile, whose debut exhibition caps a year of playful self-interrogation with a camera, doesn’t have a regular look: Her personal style is an elaborate work in progress.… READ ON

PICKS

“Women’s Work”

South African National Gallery

February 2017

In a 2009 performance titled Knitwit, maverick artist Barend de Wet, sporting a churchly suit and calling himself the “Knitting Bull,” loudly—like a lay preacher—implored his audience to “Knit!” In light of the sixty-four mostly contemporary… READ ON

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Jody Paulsen

SMAC Art Gallery | Cape Town

February 2017

Jody Paulsen did not have art historian Robert Pincus-Witten in mind when, in a summary of his personal aesthetic credo, he told an interviewer in 2015: “Right now, artistically, I’m in a maximalist phase. I don’t like any blank spaces.” If… READ ON

PICKS

“Africans in America”

February 2017

South African artists, dealers, and scholars often mourn the demise of the Johannesburg Biennale, a short-lived experiment in post-apartheid city branding and global outreach that ran for just two editions, in 1995 and 1997, invoking its … READ ON

IN PRINT February 2017 [TOC]